But, I can edit in Pro Tools (which I already own), perform denoising and restoration in Izotope Rx5 (which I already own) and create and sequence masters with Wavelab.
I want to make the right choice of which DAW to use for audio mastering (in stereo, not surround) for CD and online distribution. Do Pyramix and the others offer serious sonic improvements over the same editing functions when performed in Pro Tools? I am accomplished at editing in Pro Tools. Pyramix Native Pro is listed at $3,100, SADiE seems to be around $1,600 or more.Ī lot of the value of Pyramix seems to be the music production tools (such as high track counts and low latency) which I wouldn't need in mastering.Ĭould someone help me see what Pyramix, for $3,100, offers over a Wavelab license, which is only about $500? Wavelab is capable of DDP creation, simultaneous creation of multiple file types, and has some authoring capabilities.Īnd further, it seems like a lot of mastering studios play their source files out of Pro Tools into their mastering DAW. The cost of the top end DAW's (Pyramix, SADiE, others) is quite stunning.
#Wavelab vs dsp quattro software
The software has a 25-day fully functional demo period.I am evaluating DAW options for a new audio mastering studio. ReSample is now available, priced at US $89.
#Wavelab vs dsp quattro for mac os
It comes with several built-in algorithms, like a Linear Phase Sample Rate Converter, a Declicker for Audio Restoration. It is an Audio Editor/AudioCD Mastering Application with extended real-time and off-line support of AU/VST plug-ins.